There is a certain quality of energy transferred into objects that are handmade that resonates and can be detected by anyone, regardless of their relationship to the object or the act of ever having made something by hand themselves.
I have always been drawn toward small works of art and in my career I have gravitated toward process-centric modalities. Certainly all genres of art involve process, but perhaps none more so than sculpture.
As a sculptor mine is a visual language and as such, objects, regardless of their current incarnation are at their most basic the building blocks of form in general, which I either transmute into entirely new forms or re-establish as versions of their prior state.